11/1/2022 0 Comments Body painted xmas snow queen nude![]() ![]() Walking is dying out along with the liberal epoch, even where autos are not being driven. Going on promenades, being a flaneur were private ways of spending time, the legacy of the feudal pleasure-jaunts of the 19th century. ![]() Human dignity insisted on the right to the gait, a rhythm not drilled into the body by command or terror. #BODY PAINTED XMAS SNOW QUEEN NUDE FREE#It was the bourgeois manner of getting somewhere: physical demythologization, free from the bane of the hieratic step, the homeless fellowship of the road, the breathless flight. The body’s habit of walking as something normal stems from the good old days. The truth becomes apparent, that something is not right about security, that one must constantly evade the unrestrained powers of life, even if these are only vehicles. The flow of traffic no longer has to reckon with wild animals, but at the same time it has not pacified running. Once one ran from dangers which were too desperate to stand and face, and those who are running after a bus speeding away still testify to this, without knowing it. They must look straight ahead, cannot even glance back, without stumbling, as if the pursuer whose sight would cause them to freeze were breathing down their necks. The posture of the head, which would like to remained raised, is that of someone who is drowning, the tense face resembles the grimace of torture. The fall of the victim is imitated in the very attempt to escape the fall. – Running on the street has the expression of terror. The individual law is a puzzle-picture of the exchange of equivalents. Even in psychological destiny, an authority watches over to ensure that everything is paid for. What was once proffered to them with illusory good will, is now cancelled out. What is fulfilled in their internalized economy, is the unconscious yet implacable punishment which was always in store for them. They are an embarrassment to the natural social order, and malicious good health feeds on the danger which threatens them, just as society mistrusts them as the visible negation of the equalization of success and exertion. It is not for nothing that the handwriting of early developers warns by its infantile traits. Early developers are stricken by passion sheltered all too long in the security of autarky, now they reel helplessly, where they once built castles in the air. Thus early developers fall prey to what is childish, which they once mastered all too slight exertion and which now demands its price they become immature and even silly, while the others, who were at every stage precisely what they were expected to be, are mature, and these now find unpardonable, what overwhelms formerly early developers outside of all proportion. They make their way retrospectively, with crass violence, through the situations, fears, and passions which were softened in their anticipation, and these latter transform themselves, in conflict with the narcissism of the former, into something sickly and consuming. The narcissistic direction of the drives, indicated by the preponderance of imagination in its experience, is precisely what delays their development. ![]() The feel for the not-ego, which hardly ever bothers supposed late developers from within, becomes an urgent necessity for early developers. One who develops early must painfully conquer the space of the relation to the objects, which is encompassed by one’s ideation : they must even learn to suffer. If early developers are more than just the possessors of skills, they are thus compelled to catch up, a compulsion which normal people are fond of dressing up as a moral commandment. Such anticipation, satiated in itself, as it were, turns away from the external world and lends the color of something neurotically playful to the relationship to the latter. Their experience is an a prioristic, intuitive sensibility, which gropes in pictures and words for what is later redeemed in things and human beings. Whoever develops early, lives in anticipation. – The talk of early or late development, seldom free of the death-wish for the former, is not binding. Minima Moralia by Theodor Adorno Part ThreeĪvalanche, veux-tu m'emporter dans ta chute?įrench: Avalanche, won’t you carry me away in your fall? Frankfurt School: Minima Moralia by Theodor Adorno 1951 ![]()
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